衣领上的唇印

衣领上的唇印

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美剧
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导演:
内详  
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1993
更新:
2023-03-17 08:49
剧情:
  The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a..

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《衣领上的唇印》剧情介绍

碟调网提供星空影院最新影视作品衣领上的唇印高清全集在线观看的影视全集网,美剧《衣领上的唇印》全集作品的导演是内详   ,由Giles Thomas  Ewan McGregor  Louise Germaine  Peter Jeffrey  Clive Francis  主演,衣领上的唇印在豆瓣的评分为2.0,本片由小编于2023-03-17 08:49更新,希望大家喜欢,可以把《衣领上的唇印》推荐给你朋友,本作品的地址为 http://www.diediao.org/movie/52836.html

《衣领上的唇印》简介:

  The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Hensha健身教练64话再用点力下拉式ll). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Soh动漫无遮挡me of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.

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